(No) Time to Write

24 04 2010

You can probably guess from my absence on this blog that I’ve been busy with other things. Unfortunately, they have not been writing-related. On the other hand, my fundraising consulting business is thriving, which will help me take off three weeks this summer for writing workshops and retreats. So it’s a blessing for my writing that I’m so busy thusfar.

But this brings me back to a question that a lot of people I know who want to write but have intense, 40+hours a week jobs ask me often: “How do I find time to write?” I answered that question in an earlier post, and I find myself turning to that post now to remind me that, even though I haven’t had time to write more than a couple blog posts and journal entries over the past few weeks, I am still a writer, and I will find the time to write when I need to.

For example, I have two deadlines coming up in May that I’m setting out to meet, one for this Visions 2042 project: Notes toward a Racial Order Transformed, and another for fiction deadline Shareable.net, a web site that features content about sharing as a path to sustainability. I don’t know yet if my super-packed work schedule over the next few weeks will allow me to meet them, but I’m going to try my hardest and do my best.

And that’s pretty much all one can be expected to do. If we all tried our best most of the time with most of the things we do, I think the world would be a much better place.





Reading on April 24 in Oakland

17 04 2010

I’ve been so busy with consulting work that I’ve neglected to promote this reading I’m doing next Saturday, April 24 at 7pm at Woody’s Cafe in Oakland, not far from my house. I’ll be reading with fellow alums of the VONA 2009 fiction workshop with Junot Diaz. The other folks who will be reading their work are Gessy Alvarez, Alison Cross, Miguel Jimenez and Roopa Ramamoorthi. Not sure yet what I’m going to read, but I promise I’ll entertain you. Should be a fun time, so stop by.





Rejection

13 04 2010

So I got a rejection letter from Blue Mountain Center for my residency application that I turned in earlier this year. This is going to sound weird or like I’m trying to play off this rejection, but I’m actually glad, because my consulting practice is really taking off and taking off a full month in September this year would’ve been really hard.

Still, it’s not fun to know I didn’t ‘get in’, but it’s for the best time-wise this year. Plus I’m already planning to spend three weeks in writing workshops this year—-if I get in to VONA again this summer, that is. Not getting into Blue Mountain for a residency means I’ll have to take a few local writing retreats to give myself more concentrated time to write, but that’s fine for now.

Besides, there’s always next year! And being a writer means you have to be persistent, if nothing else.





Are Writers Narcissists?

10 04 2010

Note: I’m feeling lazy today (also been doing a lot of other writing for several deadlines so feeling like I need a break), but I wanted to post something that I wrote on my old blog almost five years ago. I read it the other night as I was looking for another old post on my blog, and was struck by its maturity and artistic generosity—especially given that at the time I was a fairly green writer (and still think of myself as one, probably will until I publish my fifth book), with not many literary accomplishments under my belt. At the same time, I was writing for at least an hour a day and was churning out an incredible number of pages, so I guess I was ‘unblocked’, as it were. There’s also a lot to be said about ‘beginner’s mind’, which Natalie Goldberg writes a lot about in her books—that most of the time it’s best to come to your writing practice as a ‘beginner’ in spirit and attitude, so that you don’t get caught up in your beliefs about yourself, in petty jealousies, in the political and often nastier side of the creative life that so often blocks writers and keeps them from the work they need to do.

So I hope you enjoy this blast from the past. I know I did.

Writing = Narcissism?

I know a lot of people–some artists, some avowed non-artists–who think that writing (or any other artistic endeavor) is narcissitic. After all, we writers have to hole ourselves up in rooms or at cafe tables or prison cells to write, cutting ourselves off from the rest of the world and spending time honing our craft. I myself have struggled with this question: Does being an artist automatically means that one is self-centered, overly egotistical and, yes, narcisstic? Having had the unpleasant experience of working with many, many egotistical–and often abusive–artists, I know that this suffering-artist ‘stereotype’ is not entirely untrue.

But as I continue to explore and expand my resume of creative experience, I am glad to report that my answer to that question is a resounding NO. Artists do not have to be completely narcisstic and ego-driven to produce good art. Of course, there are plenty of examples of great artists who are not very kind or compassionate people. Chitra talked about this in our novel workshop at VONA, and about her own belief that one can be a good writer and a good person; she seems to be a fine example of this herself: best-selling novelist, creative writing professor, married and the mother of two sons (we got to meet her family at VONA, they all seem very happy). It’s good to have a role model like her to emulate.

For myself, as I move into my own light as a writer, I find myself more generous with my encouragement and support of other artists’ creative efforts. I seek out opportunities to tell my fellow artists that they’re not crazy, that they’re not alone, that they need to trust their visions of their art. For example, L., a co-worker, who is entering an undergrad creative writing program in a few weeks after several years of tireless movement/activist work, talked to me recently about feeling like writing is such a ‘luxury’. The ‘L’ word reminds me, of course, of Audre Lorde’s essay, ‘Poetry is Not a Luxury’, which can also apply to fiction-writing or any other creative endeavor. For me, writing is not a luxury, it is a necessity. I need to write in order to feel fulfilled, and even further, the stories I dream up as a Filipina-American writer living and struggling in the early 21st century need to be told.

To quote from Lorde’s essay: “For women, then, poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought.”

That is what writing feels like to me. So I don’t feel guilty anymore for taking time off from checking off my workaday ‘to-do list’ so that I can write for an hour a day. I don’t feel selfish. At the same time, I know I need to help make space for others to create and manifest their dreams so that I am not just promoting myself, for my creative fulfillment and success are tied to the fulfillment and success of my fellow artists. Not all writers or artists feel this way, I’m sure, and perhaps the competitiveness that comes with material success will someday hit me as well.

But for now, I’m writing, and developing, and feeling an expansive hope through this process that makes me believe that a better world is not only possible, but is being crafted word by word, line by line, in my work and the works of my writerly comrades.





Acceptance

7 04 2010

I just found out today that I was accepted for this summer’s Macondo Foundation workshop, which was founded by famed writer Sandra Cisneros as a place to nurture writers whose work is socially engaged. I thought it was quite a long shot for me to get into the program—which is really more of a community that includes access to a residency program and other cool support systems—so I am thrilled to have been accepted.

This writing life is so fascinating—just a few days ago I was feeling a bit down about how I haven’t had any of my fiction published yet (although I am going to be sending a few things out soon), and then this happens. It’s a bit of a roller coaster ride sometimes, this writing life. But it is MY life now, and I embrace it with open, welcoming arms.





Updates: Two deadlines and My Work in Print Soon

5 04 2010

I’m in the home stretch of a run towards meeting two deadlines this week, one for the Hyphen/AAWW short story contest, the other for this summer’s VONA workshops. My first choices for VONA this year are the Advanced Fiction workshop with Mat Johnson in the first week, and the Fiction workshop with Tananarive Due (whose excellent Black vampire book My Soul to Keep I’m reading right now) the second week. Backups are the residency the first week with David Mura, and Advanced Fiction with Chris Abani the second week.

I’m feeling pretty good about meeting both these deadlines. I just need to proofread my short story for the contest, and do a little more editing on the pieces I’m submitting for VONA. The seven-day short story challenge I gave myself a few weeks ago has resulted in some pieces that I’m revising and sending in as my VONA submission. Another good thing about these self-imposed writing challenges—the creation of more work that can become polished, publishable stories.

I’m also waiting to hear back from Macondo (a long shot) and Blue Mountain. Send in and wait, send in and wait—the writer’s life.

I also met a new writing friend today, poet Lorenzo Herrera y Lozano, who works for one of my fundraising consultant clients. It’s always nice to meet writers while doing my ‘day-job’ work. He’s heading to Denver for the Association of Writing Programs conference this week. Some of my VONA homies will be there. Part of me wanted to go, but couldn’t afford it this year—maybe next year.

Lastly, I found out that the new issue of Instant City with my essay in it should be out any day now. There may be a reading or two in the works to launch this new issue, will post details as I find out about them. It will be nice to hold it in my hands and to read my words in print and not just online.








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